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The religious festivals of the Brahmins of Kashmir have Rigvedic and Proto-Indo-Iranian roots. The Kashmiri Pandits share most of their festivals with other Hindu communities and some other peoples whose cultures are derived from the Proto-Indo-Iranian religion. Some Kashmiri Pandit festivals are Herath (Shivaratri), Navreh, Zyeath-Atham (Jyeshtha Ashtami), Huri-Atham (Har Ashtami), Zarmae-Satam (Janmashtami), Dussehra, Diwali, Pan (Roth Puza / Vinayaka Tsoram / Ganesha Chaturthi), Gaad Batt, Khetsimavas (Yakshamavasya), Kava Punim, Mitra Punim, Tiky Tsoram, Gengah Atham, Tila Atham, Vyetha Truvah, and Anta Tsodah. ==Herath (Shivaratri)== An interesting fact about Kashmiri Pandit festivals, needing investigation, is that some of these are celebrated a day ahead of their celebration by Hindus in other parts of the country. Shivaratri, regarded as the most important festival of the community, for instance, is celebrated by them on trayodashi or the thirteenth of the dark half of the month of Phalguna (February–March) and not on chaturdashi or the fourteenth as in the rest of the country. The reason for it is that this long drawn festival that is celebrated for one full fortnight as an elaborate ritual is associated with the appearance of Bhairava (Shiva) as a jwala-linga or a linga of flame. Called ‘Herath’ in Kashmiri, a word derived from the Sanskrit ‘Hararatri’ the ‘Night of Hara’ (another name of Shiva), it has been described as Bhairavotsava in Tantric texts as on this occasion Bhairava and Bhairavi, His Shakti or cosmic energy, are propitiated through Tantric worship. According to the legend associated with the origin of the worship, the linga appeared at pradoshakala or the dusk of early night as a blazing column of fire and dazzled Vatuka Bhairava and Rama (or Ramana) Bhairava, Mahadevi’s mind-born sons, who approached it to discover its beginning or end but miserably failed. Exasperated and terrified they began to sing its praises and went to Mahadevi, who herself merged with the awe-inspiring jwala-linga. The Goddess blessed both Vatuka and Ramana that they would be worshipped by human beings and would receive their share of sacrificial offerings on that day and those who would worship them would have all their wishes fulfilled. As Vatuka Bhairava emerged from a pitcher full of water after Mahadevi cast a glance into it, fully armed with all his weapons (and so did Rama), he is represented by a pitcher full of water in which walnuts are kept for soaking and worshipped along with Shiva, Parvati, Kumara, Ganesha, their ganas or attendant deities, yoginis and kshetrapalas (guardians of the quarters) - all represented by clay images. The soaked walnuts are later distributed as naivedya. The ceremony is called ’vatuk barun’ in Kashmiri, which means filling the pitcher of water representing the Vatuka Bhairava with walnuts and worshipping it. The Puja comprises elaborate Tantric rituals that involve observance of a fast during the day and performance of a yaga or fire sacrifice at night. Choice dishes, mainly of meat and fish but also vegetarian as an option, are cooked as sacrificial food and partaken of by the worshipper and his family after being symbolically offered to the whole host of deities and attendant deities associated with Shivaratri. This is essential for everyone, the related texts emphasize. Those who do so are supposed to achieve progress and prosperity in life and have all their wishes fulfilled. But those who do not partake of the sacrificial food and do not break their fast after the Puja are bound to go to hell or take rebirth as lowly animals besides facing all kinds of disappointments in life, as related texts like the Shiva Samhita say: ''“yo yagotsavam ulanghya tishthet nirashano vrato, jivan sa pashutameti mrito niryamapnuyat”'' The symbolism of the aniconic earthen images, vagur, sonipotul and others representing Shiva, Ganesha, Parvati, yoginis and kshetrapalas, is not clear, as no available text has cared to have thrown any light on it. The vagur, specially worshipped on the dvadashi night itself, is perhaps a vestige of the rites of the Kaula cult as the manual on Shivaratri Puja suggests. It further indicates that these rites are related to Bhairava Puja: “atha dvadashyam pujanam Bhairavam namami”, without elaborating. This has resulted in ridiculous etymologies of the names of the anicons being claimed by some people. The clay images are, nonetheless, essential to the performance of the ritual activity. As they are not made on the potter’s wheel, their worship may have originated in an early period. However, it is clear from what we have said above that there is difference in the way Shivaratri is celebrated by the Kashmiri Pandits and by Hindus elsewhere in the country. The Pandits not only celebrate it as Bhairavotsava one day earlier but also perform quite different rituals. Further, the tradition among Hindus in general is to strictly observe a fast on the Shiva Chaturdashi day. Even taking fruit or betel leaf is considered as violation of the fast. “Shivayaga chaturdashyam ma vrate phala bhojanam”, says the Padma Purana. The Markandeya Purana going a step ahead adds: “tambulam api na dadyat vrata bhanga bhayam priye”. It is not that the Kashmiri Pandits do not celebrate on the chaturdshi day, but it is a day of feasting for them. The Nilamata Purana, it may be noted, clearly says that Shivaratri is celebrated on the chaturdashi of the dark fortnight of Phalguna. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kashmiri Pandit festivals」の詳細全文を読む スポンサード リンク
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